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Melody Moko Shares Suburban Dream

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Melody Moko is changing the face of country music as we know it with the release of her stunning new album “Suburban Dream”. Melding contemporary and edgy lyrical content with finely finessed Americana production, “Suburban Dream”is like no other release, and further cements the Golden Guitar Award winning artist, as an unrivalled innovator of the craft.

As a whole, “Suburban Dream”, is an exploration of life as a wife in suburbia with Melody putting her life under a microscope, magnifying the struggles and joys she’s experienced over the past two years. If there’s one thing we all know and love about Melody Moko it’s her no-holds-barred honesty and guts to frame it exactly how it is.

With the ability to reach more people after the success of her previous record, Melody set out to show what she stands for, make a stand for the issues that she faces as a mother, a member of the queer community, an activist, and a woman. The album is almost protest art, bold and emblazoned with hard-hitting, and sometimes hard to hear messages.

“Suburban Dream was born from darkness and depression, the record is a diary entry into what it looks like to hit rock bottom and documents both the downfall and the recovery, it’s equal parts hopeful and hopeless”, says Melody Moko.

Following on from her wildly successful release, “Two Kids and A Radio”, which saw Melody bring home a QMA Award, a Golden Guitar Award and a nomination for the prestigious Australian Music Prize, Melody and producer/instrumentalist husband, Michael Moko (Fanny Lumsden, Sara Storer, Kasey Chambers) finished a national tour with Ian Moss and Troy Cassar-Daley, boarded a plane to play revered US music festival, AmericanaFest and hit Nashville to work with Grammy Award nominated producer, Neilson Hubbard (Mary Gauthier, Matthew Ryan) – this time collaborating with the whole band as producers, including Ruston Kelly’s guitarist, Juan Solorzano and Engineer at East Nashville’s Skinny Elephant Studio, Dylan Alldredge. The result is an album that starts with the strong foundations of incredible and tasteful musicians serving the songs, hits you in the guts with its unbridled honesty and leaves you with a lasting impression.

The first single,“The Outskirts”, released in late 2022, introduced us to the bold new sound with an almost indie, but always country, take on life in suburbia. The single received high rotation on ABC Country & CMT, numerous Apple Music playlists and entered the Radio Monitor charts in its second week at number #31.

“Jesus Year came about from a concept my manager (Kaz Waters) wanted me to embody. A Jesus Year is your 33rd year, a year where you are reborn in some sense. I felt that after suffering badly with Post Natal Depression after the birth of my third child, I had recovered a better person than I had been going into it. This song celebrates the idea that out of adversity comes triumph”, says Melody.

“I was shocked because when we created this clip, Jazmyn, Kaz and I wanted to make a powerful visual message to support the track, which is a song about rebirth after a mental health crisis, so in including ‘that scene’ we believe we were representing the intensity of how that situation feels – I never assumed it would be considered gory! I also strongly support art without censorship. Being part of a genre and wider industry that visually represents the objectification of women and sexism in music videos regularly, I am quite taken aback that a bit of fake blood causes a video to be banned”.

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Kip Moore Relates In “Learning As I Go”

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Multi-platinum singer/songwriter Kip Moore released his new song ‘Learning As I Go‘ available everywhere through Virgin Music Group. Co-produced with Jaren Johnston, it’s the second new song Moore has unveiled in a matter of weeks, providing an early peek at his next chapter and hinting at more music to come. With an underdog spirit and a sweeping, driving tone, ‘Learning As I Go’ finds resilience in navigating the sometimes turbulent unknown, as Moore belts “Some tumbleweed just rolling on, not sure where to blow / With every twist and every turn, I’m learning as I go.”

“I just recorded ‘Learning As I Go’ before I left for Australia, and the feeling in the studio and then once we got the recording back, was so palpable, we wanted to get it out there as soon as possible,” said Moore.

“I think it’s a pretty universal feeling to feel like a failure if you slip up once or twice, but there is a beauty in learning from those perceived ‘mistakes’ that I think we sometimes miss. This track is about embracing the lessons instead of beating yourself up about not getting it right the first time.”

‘Learning As I Go’ arrives on the heels of Moore’s return with the “blistering” (Billboard) new song ‘Live Here to Work’, the first new music he has released in nearly two years. A fiery, defiant track, Rolling Stone named it a “Song You Need To Know” while Whiskey Riff called it a “middle finger to the rat race of the work culture.”

Moore is in the midst of his marathon Nomad World Tour which wrapped a whirlwind 14-show run in Australia, including sold-out arenas, earlier this week. Next stop will be his highly anticipated return to South Africa where he performed to stadium crowds of over 40,000 fans last year, followed by a string of dates in the U.S. kicking off next month. 

Hailed as “an uncompromising, genre-defying artist firing on all cylinders” (Vice/Noisey) and “one of country’s more thoughtful artists” (Billboard), multi-platinum selling singer/songwriter Kip Moore has blazed his own trail and cemented his place as one of music’s most beloved artists. Beginning with his auspicious debut in 2012, Moore has since released five critically acclaimed albums and penned over a dozen chart-topping singles, including the multi-platinum hits ‘Something’ ‘Bout a Truck’, ‘Hey Pretty Girl’,‘Beer Money’, and ‘More Girls Like You’.

With over 1 billion streams and 2.5 million monthly listeners, he’s performed sold-out headline shows in stadiums around the world including Australia, New Zealand, South Africa, The U.K., Europe, and the U.S., leading to a nomination for CMA’s International Artist Achievement Award. His latest album Damn Love was praised by Holler as “the best album of Kip Moore’s career” while earning further acclaim from Billboard, Music Row, and American Songwriter. Moore also appeared on Good Morning America to perform the album’s lead single and title track. A truly remarkable performer and “one of country music’s most tireless and powerful live draws” (Rolling Stone), Moore has spent the bulk of 2024 out on the road where he’s renowned for his signature sound and blistering live shows.

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Groundwater Celebrates 10th Anniversary With Amazing Festival

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The Groundwater Country Music Festival, held this past weekend on the stunning Gold Coast, once again solidified its reputation as one of Australia’s premier country music events. Celebrating a vibrant blend of both Australian and international country music talent, the festival drew thousands of fans for three days of high-energy performances, community spirit, and a celebration of all things country.

Now in its 10th year, the festival has become a much-anticipated fixture on the Australian music calendar, offering a unique mix of beach culture and country music that continues to attract new fans alongside devoted regulars. From October 18th to 20th, Broadbeach came alive with performances across multiple outdoor stages, with both the music and the ocean providing a picturesque backdrop.

This year’s lineup showcased some of the brightest stars in country music, including both homegrown talent and international acts. One of the weekend’s standout performances was delivered by Australian country music star Kasey Chambers, whose unmistakable voice and captivating stage presence brought the crowd to its feet. Chambers performed a set filled with hits spanning her career, including fan favorites such as “Not Pretty Enough” and “The Captain.” , as well as tracks from her new album “Backbone”. Her heartfelt delivery and ability to connect with the audience demonstrated why she remains one of Australia’s leading country music artists.

Other notable Australian acts included the rising star Brooke Schubert who delivered an electrifying performance that blended modern country with rock influences, sending waves of energy through the crowd, especially for her infectious new single “When I’m Drinkin’ I Smoke”. Shannon Noll also brought his powerful vocals and infectious energy to the stage, giving fans a thrilling live experience. His compulsory performance of “What About Me” is always a crowd favourite, encouraging festival-goers to sing along under the balmy Gold Coast skies.

The international roster didn’t disappoint either. Americana icon Jim Lauderdale, known for his traditional country sound and engaging stage persona, treated fans to a series of hits that reinforced his reputation as a world-class performer. His blend of heartfelt ballads and upbeat country anthems added an international flavour to the festival, further enriching the experience for attendees.

One of the festival’s highlights came from the emerging talent showcased throughout the weekend. Rising stars such as Josh Setterfield and Kora Naughton demonstrated the strength and diversity of Australia’s next generation of country musicians. Naughton, performing tracks including her new single, impressed with her storytelling ability and stage confidence, while Setterfield’s soaring vocals added a powerful edge to the event.

The Groundwater Country Music Festival is not just about the music, though. The festival fosters a strong sense of community, with local food stalls, artisan markets, and beachside activities creating a relaxed, family-friendly atmosphere. Attendees were seen enjoying laid-back picnics on the beach, while others danced barefoot in the sand, embodying the spirit of the festival, where the beach meets the beats.

“Every year this unique country festival beside the beach gets better giving the tens of thousands of fans that turn out each of the three days an unforgettable live country music experience,” Experience Gold Coast CEO John Warn said. 

“The Gold Coast has such a vibrant and diverse calendar of annual events and Groundwater Country Music Festival has been a staple on that calendar for the past 11 years, attracting a dedicated community of country music fans from across the

country and overseas to the city every year. That’s great news for local businesses with the festival expected to generate more than $11 million for the Gold Coast economy this year.”

Festival Director Mark Duckworth said this year’s lineup lived up to its promise of delivering a special experience for both the country faithful but also festival goers discovering country music for the first time. 

“I don’t think you could have been in Broadbeach over the past three days and not fallen in love with country music,” said Mark. “The energy of country music really took over the Gold Coast this weekend showcasing an incredible and diverse lineup of homegrown and international artists, delivering something very special for everyone. The beachside line dancing was new to our program this year and proved a huge hit with country fans of all ages, as did the corn hole and country markets.”

Despite the large crowds, the festival remained a well-organized and safe event. Security and crowd management were effective, ensuring a smooth and enjoyable experience for all. Local businesses also benefited from the influx of visitors, with cafes, restaurants, and shops buzzing with activity throughout the weekend.

As the final notes of the festival rang out across the Gold Coast, it was clear that Groundwater had once again succeeded in delivering an unforgettable weekend. The festival not only brought country music to the beach but also cemented its place as a unique and essential part of Australia’s music festival landscape. Fans will no doubt be counting down the days until they can return for next year’s event, when Groundwater CMF returns from 17 to 19 October 2025. 
, and fans will be once again ready to celebrate their love of country music in the sun-soaked paradise that is the Gold Coast.

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Ruby Shay Opens Doors To Talk On New Single

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Ruby Shay, alongside her band The Red Horse, have released her deeply personal new single, “Haven’t Met You Yet”, in conjunction with International Pregnancy and Infant Loss Awareness Day, Tuesday, October 15, out now through indie country label, RTC Records.  
 
Haven’t Met You Yet” was written about Ruby’s own experience with pregnancy and infant loss and provides a voice for a subject often left unspoken. It’s a reminder, as a passage to healing, an opening to speak about the scary things and to share in the fear, the failure, the hope, the guilt, the hurt, the heartbreak of loss.
 


Not originally intending “Haven’t Met You Yet” to be shared or released as a single, Ruby changed her mind after playing it live at an event. Receiving overwhelming responses from women who resonated with the message, she felt compelled to help spark conversations around this sensitive topic. Ruby realised that by sharing her story that maybe, just maybe, she could help others feel seen and less alone in their grief.
 
“I never met you, but I miss you,” says Ruby.

Ruby Shay is a First Nations singer-songwriter from the Central Coast of New South Wales, Australia. Celebrated for her earnest storytelling and deeply personal songs, her music is heavily influenced by her upbringing and view of the world. Ruby’s childhood was difficult, as she grew up in foster care, bouncing from place to place. 

While proudly connected to her Boorooberongal, Dharug heritage, she was raised and accepted within Dharawal and Yuin communities This rich cultural background, and the therapeutic solace that she found in music from a young age, has profoundly influenced her art. She began playing the keyboard at six as an escape from the outside world, and then also taught herself guitar in her late teens, eventually discovering her passion for songwriting.

Ruby’s music, inspired by deeply connected artists like Missy Higgins, Sara Bareilles, and Fanny Lumsden, is known for its emotive and connected storytelling. Drawing on her unique perspective and life experiences, her songs often start from deep personal spaces, evolving into powerful compositions.
 
If you or someone you know, has experienced or is experiencing infant or pregnancy loss, there are services available to help.
 
SANDS – 1300 072 637 – is an independent organisation that provides support for newborn death, stillbirth and miscarriage.
 
Pregnancy Birth and Baby – 1800 882 436 – Call for trusted advice and emotional support anytime 7 days a week.
 
Bears of Hope – 1300 11 HOPE – Provides grief support and care for families who experience the loss of their baby.
 
Pink Elephants – https://www.pinkelephants.org.au/ Pink Elephants provides the latest resources, information and peer-support for anyone impacted by early pregnancy loss.
 
Red Nose – Support Line at 1300 308 307. For online support, email [email protected] or live chat at rednosegriefandloss.org.au/live-chat. Services include counselling and support for anyone affected by pregnancy loss, stillbirth, baby or child death.

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