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Fanny Lumsden Releases Third Single From New Album

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“This song has a muse.” So states Fanny Lumsden as she recounts the incredible story behind WHEN I DIE, and the inspiration for its lyrics.

The muse in question is a big, bearded lumberjack and bushy called Brett. This song is about his meticulously planned celebration for his own wake, which involves a hillside with an ‘awesome view’ (as he calls it), a bonfire of an old truck, live music from Fanny to serenade him out of this world – and his ashes getting shot out of shotguns (BYO) during golden hour!

Fanny explains, “Brett bailed me up at the pub one day to ask me how much I would charge to perform at his wake. I nominated an outrageous fee and a down payment of a cow and 2 loads of wood. He rocked up a few months later with the first load of wood and let’s just say it has taken off since then! The song is really about sticking to your guns and being true to who you are both in life and in death. I wrote it sitting around a campfire on my own on the Nullarbor Plain.

The feel-good, hugely fun video featuring of course, Brett – was directed by Fanny Lumsden and Dan Freeman, with DOP Sam Brumby (King Stingray). Listen to WHO’S BRETT: A ‘HEY DAWN / WHEN I DIE’ podcast special with Fanny Lumsden from 7am on June 1 HERE


Fanny’s fourth studio album HEY DAWN is set to drop on August 4 (Cooking Vinyl Australia). It will be accompanied by a national tour with her band The Prawn Stars, kicking off on July 28 in Bendigo and working along the East Coast, all pre-empted by a late June/early July UK tour, including Glastonbury Festival’s Avalon Stage on June 23 – a genuine pinch-me moment for Lumsden.

Ahead of album release, Fanny has devised the most amazing opportunity for fans – the Golden Fanny Ticket!  Hidden inside one Hey Dawn CD and one Hey Dawn vinyl is the ticket that will give the lucky winners a lifetime pass to any and all Fanny Lumsden headline shows – imagine never having to pay for a Fanny Lumsden gig again!  To be in the running, fans just order Hey Dawn on vinyl or CD from Fanny’s website, to be the lucky recipient! See here for more.

The album Hey Dawn is a rich character study, with the singer-songwriter reflecting on the stories that have shaped her and those around her. It’s also a more sonically diverse outing than Lumsden’s previous records, incorporating elements such as guitar-based indie-pop into her trademark world of gorgeously crafted, emotionally rich acoustic songwriting.

“I wanted it to feel good, I wanted to have fun,” she smiles. “I didn’t want to think too hard about it – I just wanted to feel.”

Hey Dawn is, in short, Lumsden’s most complete offering to date. Having focused inward lyrically on Fallow, Lumsden was once again interested in telling detail-rich stories – both her own, and other people’s. In particular, she found herself drawn to her childhood, “when obviously I felt no weight of anything”.

“I think that might have been a reaction to the last few years, which were heavy for everyone,” she offers.

Lumsden and her band travelled to Tasmania to work with longtime producer Matt Fell at his studio in the picturesque Gowrie Park, many of the songs were still only ideas and shapes – an unfamiliar scenario for a singer-songwriter more used to being meticulously prepared.

The initial sessions were disrupted by a catastrophic storm that forced them to relocate to the eastern side of the island. It was there, in an Airbnb, that Lumsden awoke one morning just as the sun was rising.

“I literally just said, ‘Oh, hey dawn!’,” chuckles the singer. The seemingly innocuous moment became something more when the sessions returned to Gowrie Park and Lumsden visited a local market in a nearby hall, in which a man was playing piano.

“The only pre-idea I had for the record was I knew I wanted the sound of a piano that felt like you were in a hall when you were a kid, and I walked into this hall and this old man was playing this vision of what I had in my head,” she recalls.

That night she went back to her accommodation and wrote “Hey Dawn”, the stunning title-track that pairs celestial vocal harmonies with gentle piano before climaxing with Bacharach-esque flair. Finally, the album made sense.

Alongside her regular bandmates – husband Dan on bass, brother Tom on backing vocals, Josh Schubert on drums, and multi-instrumentalists Benjamin Corbett and Paddy Montgomery – she also welcomed the input of outside musicians such as EVEN’s Ash Naylor.

It’s a fitting sentiment for an album that is about the here and now, how it’s shaped by the stories from our past, and how they can always be re-written in our future.

“You have to tell the stories of the moment you’re in, and you have to put them out and trust that that is okay,” smiles Lumsden. “It’s a new day, we’re here.”

HEY DAWN TRACKLISTING:

1. Hey Dawn
2. Great Divide
3. You’ll Be Fine
4. Ugly Flowers
5. When I Die
6. Lucky
7. Soar
8. Millionaire
9. Enjoy The Ride
10. Stories

Fanny will hit the road from the end of July to celebrate the release of Hey Dawn, playing with The Prawn Stars across Vic, ACT, NSW and QLD. She also has key global tour dates locked in – from New Zealand to the UK and Ireland. Please see below for all information. 

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Kip Moore Relates In “Learning As I Go”

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Multi-platinum singer/songwriter Kip Moore released his new song ‘Learning As I Go‘ available everywhere through Virgin Music Group. Co-produced with Jaren Johnston, it’s the second new song Moore has unveiled in a matter of weeks, providing an early peek at his next chapter and hinting at more music to come. With an underdog spirit and a sweeping, driving tone, ‘Learning As I Go’ finds resilience in navigating the sometimes turbulent unknown, as Moore belts “Some tumbleweed just rolling on, not sure where to blow / With every twist and every turn, I’m learning as I go.”

“I just recorded ‘Learning As I Go’ before I left for Australia, and the feeling in the studio and then once we got the recording back, was so palpable, we wanted to get it out there as soon as possible,” said Moore.

“I think it’s a pretty universal feeling to feel like a failure if you slip up once or twice, but there is a beauty in learning from those perceived ‘mistakes’ that I think we sometimes miss. This track is about embracing the lessons instead of beating yourself up about not getting it right the first time.”

‘Learning As I Go’ arrives on the heels of Moore’s return with the “blistering” (Billboard) new song ‘Live Here to Work’, the first new music he has released in nearly two years. A fiery, defiant track, Rolling Stone named it a “Song You Need To Know” while Whiskey Riff called it a “middle finger to the rat race of the work culture.”

Moore is in the midst of his marathon Nomad World Tour which wrapped a whirlwind 14-show run in Australia, including sold-out arenas, earlier this week. Next stop will be his highly anticipated return to South Africa where he performed to stadium crowds of over 40,000 fans last year, followed by a string of dates in the U.S. kicking off next month. 

Hailed as “an uncompromising, genre-defying artist firing on all cylinders” (Vice/Noisey) and “one of country’s more thoughtful artists” (Billboard), multi-platinum selling singer/songwriter Kip Moore has blazed his own trail and cemented his place as one of music’s most beloved artists. Beginning with his auspicious debut in 2012, Moore has since released five critically acclaimed albums and penned over a dozen chart-topping singles, including the multi-platinum hits ‘Something’ ‘Bout a Truck’, ‘Hey Pretty Girl’,‘Beer Money’, and ‘More Girls Like You’.

With over 1 billion streams and 2.5 million monthly listeners, he’s performed sold-out headline shows in stadiums around the world including Australia, New Zealand, South Africa, The U.K., Europe, and the U.S., leading to a nomination for CMA’s International Artist Achievement Award. His latest album Damn Love was praised by Holler as “the best album of Kip Moore’s career” while earning further acclaim from Billboard, Music Row, and American Songwriter. Moore also appeared on Good Morning America to perform the album’s lead single and title track. A truly remarkable performer and “one of country music’s most tireless and powerful live draws” (Rolling Stone), Moore has spent the bulk of 2024 out on the road where he’s renowned for his signature sound and blistering live shows.

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Groundwater Celebrates 10th Anniversary With Amazing Festival

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The Groundwater Country Music Festival, held this past weekend on the stunning Gold Coast, once again solidified its reputation as one of Australia’s premier country music events. Celebrating a vibrant blend of both Australian and international country music talent, the festival drew thousands of fans for three days of high-energy performances, community spirit, and a celebration of all things country.

Now in its 10th year, the festival has become a much-anticipated fixture on the Australian music calendar, offering a unique mix of beach culture and country music that continues to attract new fans alongside devoted regulars. From October 18th to 20th, Broadbeach came alive with performances across multiple outdoor stages, with both the music and the ocean providing a picturesque backdrop.

This year’s lineup showcased some of the brightest stars in country music, including both homegrown talent and international acts. One of the weekend’s standout performances was delivered by Australian country music star Kasey Chambers, whose unmistakable voice and captivating stage presence brought the crowd to its feet. Chambers performed a set filled with hits spanning her career, including fan favorites such as “Not Pretty Enough” and “The Captain.” , as well as tracks from her new album “Backbone”. Her heartfelt delivery and ability to connect with the audience demonstrated why she remains one of Australia’s leading country music artists.

Other notable Australian acts included the rising star Brooke Schubert who delivered an electrifying performance that blended modern country with rock influences, sending waves of energy through the crowd, especially for her infectious new single “When I’m Drinkin’ I Smoke”. Shannon Noll also brought his powerful vocals and infectious energy to the stage, giving fans a thrilling live experience. His compulsory performance of “What About Me” is always a crowd favourite, encouraging festival-goers to sing along under the balmy Gold Coast skies.

The international roster didn’t disappoint either. Americana icon Jim Lauderdale, known for his traditional country sound and engaging stage persona, treated fans to a series of hits that reinforced his reputation as a world-class performer. His blend of heartfelt ballads and upbeat country anthems added an international flavour to the festival, further enriching the experience for attendees.

One of the festival’s highlights came from the emerging talent showcased throughout the weekend. Rising stars such as Josh Setterfield and Kora Naughton demonstrated the strength and diversity of Australia’s next generation of country musicians. Naughton, performing tracks including her new single, impressed with her storytelling ability and stage confidence, while Setterfield’s soaring vocals added a powerful edge to the event.

The Groundwater Country Music Festival is not just about the music, though. The festival fosters a strong sense of community, with local food stalls, artisan markets, and beachside activities creating a relaxed, family-friendly atmosphere. Attendees were seen enjoying laid-back picnics on the beach, while others danced barefoot in the sand, embodying the spirit of the festival, where the beach meets the beats.

“Every year this unique country festival beside the beach gets better giving the tens of thousands of fans that turn out each of the three days an unforgettable live country music experience,” Experience Gold Coast CEO John Warn said. 

“The Gold Coast has such a vibrant and diverse calendar of annual events and Groundwater Country Music Festival has been a staple on that calendar for the past 11 years, attracting a dedicated community of country music fans from across the

country and overseas to the city every year. That’s great news for local businesses with the festival expected to generate more than $11 million for the Gold Coast economy this year.”

Festival Director Mark Duckworth said this year’s lineup lived up to its promise of delivering a special experience for both the country faithful but also festival goers discovering country music for the first time. 

“I don’t think you could have been in Broadbeach over the past three days and not fallen in love with country music,” said Mark. “The energy of country music really took over the Gold Coast this weekend showcasing an incredible and diverse lineup of homegrown and international artists, delivering something very special for everyone. The beachside line dancing was new to our program this year and proved a huge hit with country fans of all ages, as did the corn hole and country markets.”

Despite the large crowds, the festival remained a well-organized and safe event. Security and crowd management were effective, ensuring a smooth and enjoyable experience for all. Local businesses also benefited from the influx of visitors, with cafes, restaurants, and shops buzzing with activity throughout the weekend.

As the final notes of the festival rang out across the Gold Coast, it was clear that Groundwater had once again succeeded in delivering an unforgettable weekend. The festival not only brought country music to the beach but also cemented its place as a unique and essential part of Australia’s music festival landscape. Fans will no doubt be counting down the days until they can return for next year’s event, when Groundwater CMF returns from 17 to 19 October 2025. 
, and fans will be once again ready to celebrate their love of country music in the sun-soaked paradise that is the Gold Coast.

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Ruby Shay Opens Doors To Talk On New Single

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Ruby Shay, alongside her band The Red Horse, have released her deeply personal new single, “Haven’t Met You Yet”, in conjunction with International Pregnancy and Infant Loss Awareness Day, Tuesday, October 15, out now through indie country label, RTC Records.  
 
Haven’t Met You Yet” was written about Ruby’s own experience with pregnancy and infant loss and provides a voice for a subject often left unspoken. It’s a reminder, as a passage to healing, an opening to speak about the scary things and to share in the fear, the failure, the hope, the guilt, the hurt, the heartbreak of loss.
 


Not originally intending “Haven’t Met You Yet” to be shared or released as a single, Ruby changed her mind after playing it live at an event. Receiving overwhelming responses from women who resonated with the message, she felt compelled to help spark conversations around this sensitive topic. Ruby realised that by sharing her story that maybe, just maybe, she could help others feel seen and less alone in their grief.
 
“I never met you, but I miss you,” says Ruby.

Ruby Shay is a First Nations singer-songwriter from the Central Coast of New South Wales, Australia. Celebrated for her earnest storytelling and deeply personal songs, her music is heavily influenced by her upbringing and view of the world. Ruby’s childhood was difficult, as she grew up in foster care, bouncing from place to place. 

While proudly connected to her Boorooberongal, Dharug heritage, she was raised and accepted within Dharawal and Yuin communities This rich cultural background, and the therapeutic solace that she found in music from a young age, has profoundly influenced her art. She began playing the keyboard at six as an escape from the outside world, and then also taught herself guitar in her late teens, eventually discovering her passion for songwriting.

Ruby’s music, inspired by deeply connected artists like Missy Higgins, Sara Bareilles, and Fanny Lumsden, is known for its emotive and connected storytelling. Drawing on her unique perspective and life experiences, her songs often start from deep personal spaces, evolving into powerful compositions.
 
If you or someone you know, has experienced or is experiencing infant or pregnancy loss, there are services available to help.
 
SANDS – 1300 072 637 – is an independent organisation that provides support for newborn death, stillbirth and miscarriage.
 
Pregnancy Birth and Baby – 1800 882 436 – Call for trusted advice and emotional support anytime 7 days a week.
 
Bears of Hope – 1300 11 HOPE – Provides grief support and care for families who experience the loss of their baby.
 
Pink Elephants – https://www.pinkelephants.org.au/ Pink Elephants provides the latest resources, information and peer-support for anyone impacted by early pregnancy loss.
 
Red Nose – Support Line at 1300 308 307. For online support, email [email protected] or live chat at rednosegriefandloss.org.au/live-chat. Services include counselling and support for anyone affected by pregnancy loss, stillbirth, baby or child death.

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