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Chris Shiflett Fuses Honky Tonk With Rock On Upcoming Album

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For the past few months, veteran rocker and Foo Fighters six-stringer Chris Shiflett has been sharing new tastes of his signature honky-tonk-meets-rock-and-roll sound.

“Dead and Gone” found the Southern Californian trading licks with Nashville pickers like Tom Bukovac and Charlie Worsham and “Black Top White Lines” put a rocking spin on the classic “murder ballad” format. All of that bridge-building between Music City and his native California will come to fruition on October 20th with the release of Lost at SeaShiflett’s new Jaren Johnston-produced album on Blue Élan Records.

Lost at Sea finds Shiflett blurring the lines between his last two albums: West Coast Town’s (2017) honky-tonk homage and Hard Lessons’ (2019) overdriven crunch. Shiflett recorded the majority of the new album in Nashville, working with his aforementioned producer and collaborator Jaren Johnston—frontman of the Cadillac Three, as well as the songwriter behind nearly a dozen Number 1 country hits—and a small cast of Americana all-stars. Among them were fellow guitar slingers Worsham, Bukovac, and Nathan Keeterle, all three of whom laced the record with fiery fretwork. He also teamed up with a number of co-writers, partnering with Kendell Marvel, Cody Jinks, and others to fill Lost at Sea with storylines that pack as hefty a punch as the music itself.

“We wrote a lot of these songs during the lockdown,” recalls Shiflett, who spent much of the pandemic at home in Southern California. “Then I began making trips to Nashville to work with Jaren. He and I have a lot of overlap, in terms of the music we like. We made a guitar-centric record that encapsulates everything I’ve been listening to over the years, from the most country songs I’ve ever recorded to punk rock and even songs that sound like a California version of The Clash.”

“Damage Control” is the track he’s referencing, and it happens to be the next single from Lost at Sea. Straying further from the country influence than most of the album, “Damage Control” is the only “old” tune that Johnston and Shiflett included on Lost at Sea. “All the other tunes were written in the months leading up to recording, but when Jaren and I were sorting out which songs to do he mentioned something about The Clash and I remembered this old one I’d demoed about 15 years prior,” remembers Shiflett. With its layers of reverb, pulsing percussion, and Echoplex tape delay, “Damage Control” went through a number of versions before reaching its final form in the studio with Johnston. “I love that the musical inspiration on this one was late-stage Clash but we wound up layering it with banjos and what-not. Definitely takes it somewhere else. Ska-mericana?” Shiflett laughs. “There’s nothing better than when influences converge taking you places you never expected.”

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Listen To Ashleigh Dallas On The Country HQ Podcast

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Country music enthusiasts, get ready to tune in to the latest episode of Country HQ’s acclaimed series, “Spotlight On.” We’re thrilled to announce that the spotlight is now shining brightly on the immensely talented Ashleigh Dallas, and the episode is available for streaming on Apple Podcasts and Spotify!

In this captivating installment of “Spotlight On,” listeners are treated to an intimate journey through Ashleigh Dallas’s remarkable career in the country music scene. From her early influences to her chart-topping hits, Ashleigh shares insights, anecdotes, and behind-the-scenes stories that offer a rare glimpse into her world as a singer-songwriter.

Listeners will be spellbound as Ashleigh reflects on her musical journey, recounting the moments that have shaped her artistry and propelled her to the forefront of the country music landscape. With her soulful vocals, heartfelt lyrics, and authentic storytelling, Ashleigh Dallas has captured the hearts of fans around the globe, and this episode of “Spotlight On” is a testament to her enduring talent and passion for music.

Whether you’re a longtime fan or discovering Ashleigh’s music for the first time, this episode is not to be missed. Join us as we celebrate the artistry and brilliance of Ashleigh Dallas in the latest installment of Country HQ’s “Spotlight On” series.

To listen to the episode featuring Ashleigh Dallas, simply head over to Apple Podcasts or Spotify, and immerse yourself in the magic of her music. Don’t forget to subscribe to Country HQ for more exclusive interviews, behind-the-scenes content, and unforgettable moments with your favorite country artists.

Tune in, turn up the volume, and let the music of Ashleigh Dallas fill your soul. It’s time to experience the magic of “Spotlight On”!

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Stapleton Australian Tour Sells Out Six Shows In Hours

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Country music sensation Chris Stapleton’s upcoming debut Australian tour for 2025 has already made waves, with the announcement of six sold-out shows across the continent. The news comes as a testament to Stapleton’s immense popularity and the eager anticipation among Australian fans to experience his electrifying performances live.

The announcement of Stapleton’s Australian tour generated immense excitement among country music enthusiasts across the continent, many of whom have long awaited the opportunity to see him perform live. With tickets for all six shows selling out in record time, it’s clear that Stapleton’s appeal knows no bounds, transcending geographical boundaries to resonate with audiences of all backgrounds.

Stapleton’s Australian tour promises to showcase the full breadth of his musical prowess, from intimate acoustic ballads to rollicking, foot-stomping anthems. With a setlist spanning his impressive catalog of hits, including chart-toppers like “Tennessee Whiskey,” “Parachute,” and “White Horse,” audiences can expect a dynamic and unforgettable live experience that will leave them craving more.

For Stapleton, the sold-out Australian tour is a testament to the enduring power of authentic, heartfelt music and the deep connection it fosters between artists and fans. As he prepares to take the stage in front of sold-out crowds across Australia, Stapleton must truly be humbled by the overwhelming response and grateful for the opportunity to share his music with audiences around the world.

As the countdown to Stapleton’s Australian tour begins, fans can rest assured knowing they’re in for a night to remember, filled with passion, energy, and the unmistakable sound of one of country music’s brightest stars. With tickets in high demand and anticipation reaching a fever pitch, Stapleton’s debut Australian tour for 2025 is shaping up to be an unmissable event for music lovers across the continent.

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Essential Listening This Weekend – “Say What You Mean” – Hana & Jessie-Lee’s Bad Habits

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Hana and Jessie-Lee’s Bad Habits have been a staple of the rising alt-country scene in Australia live since the release of their debut album “Southlands” in 2017. They have played at various festivals such as WOMADelaide, Out On The Weekend, Brunswick Music Festival, Adelaide Guitar Festival, Dashville Skyline & Queenscliff Music Festival, and Tamworth Country Music Festival, where they have tirelessly worked to perfect the band’s sound.

Eleven songs make up the album “Say What You Mean,” which was recorded at Alex O’Gorman’s Pakenham studio and features the lead singles “Arrowhead” and “Tallest Of Tales” (which have been added to high rotation on ABC Country) as well as “Paper Boats” and a variety of rock’n’roll swagger, country influences, and soul ballads. Hana and Jessie-Lee have been performing music together for nearly a decade. On this new album, they are accompanied by the Bad Habits rhythm section, which consists of two of Melbourne’s best musicians, Tommy Brooks (bass, slide, pedal steel) and Patrick Wilson (drums & percussion). Additionally, Norwood (backing vocals), Joe Cope (keys), Jordie Gilmour (drums), and Kate Alexander (backing vocals) make an appearance. With the exception of three tracks, Alex O’Gorman mixed the album at Phaedra Studios. John Lee mastered it, while Stephen Mowat (Wilsn) mixed the other tracks.

Love, awful first dates, insomnia, loss dread, longing home, and avoiding troublesome individuals are some of the lyrical topics covered. In the first track, “Misery Queen,” the band playfully points out the problems in a relationship while playing languid rock and roll in the style typical of the South. Without missing a beat, Jessie-Lee strides into one of her characteristic earworm guitar riffs on her distinctive green Gretsch, which harmonises perfectly with Hana’s brassy vocals. Title track “Say What You Mean” is a raucous rock anthem that implores people to be honest rather than silent in their relationships, while “Under The Vines” is a haunting tribute to homesickness in the vein of Bruce Springsteen.

“When we were picking songs to put on the album, it was a matter of what fit together, and what felt good playing as a band. I think I had about 25 songs and was still writing new material right up until we were going into the studio. We played a few at shows in their rawest form to see how they felt, how people reacted and that helped us make the final decision on the songs included.” – Hana

“These Shambles,” a cover of an older song with updated lyrics, is a bonus track on the CD and digital releases.

“We decided to record These Shambles again because it seemed to be a crowd favourite at shows” says Jessie-Lee Zubkevych of the re-record. “People sang along, and the song had changed shape into a bit more of an upbeat heavier version.”

In support of the new album, the band is taking to the road to play some new places and return to some old favourites all over Australia. For the first time, Tasmania, Bendigo, and Beechworth in Victoria are all on the list, as well as several features at the Cronulla Jazz & Blues Festival in Sydney on the last weekend in May.

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