The Groundwater Country Music Festival, held this past weekend on the stunning Gold Coast, once again solidified its reputation as one of Australia’s premier country music events. Celebrating a vibrant blend of both Australian and international country music talent, the festival drew thousands of fans for three days of high-energy performances, community spirit, and a celebration of all things country.

Now in its 10th year, the festival has become a much-anticipated fixture on the Australian music calendar, offering a unique mix of beach culture and country music that continues to attract new fans alongside devoted regulars. From October 18th to 20th, Broadbeach came alive with performances across multiple outdoor stages, with both the music and the ocean providing a picturesque backdrop.

This year’s lineup showcased some of the brightest stars in country music, including both homegrown talent and international acts. One of the weekend’s standout performances was delivered by Australian country music star Kasey Chambers, whose unmistakable voice and captivating stage presence brought the crowd to its feet. Chambers performed a set filled with hits spanning her career, including fan favorites such as “Not Pretty Enough” and “The Captain.” , as well as tracks from her new album “Backbone”. Her heartfelt delivery and ability to connect with the audience demonstrated why she remains one of Australia’s leading country music artists.

Other notable Australian acts included the rising star Brooke Schubert who delivered an electrifying performance that blended modern country with rock influences, sending waves of energy through the crowd, especially for her infectious new single “When I’m Drinkin’ I Smoke”. Shannon Noll also brought his powerful vocals and infectious energy to the stage, giving fans a thrilling live experience. His compulsory performance of “What About Me” is always a crowd favourite, encouraging festival-goers to sing along under the balmy Gold Coast skies.

The international roster didn’t disappoint either. Americana icon Jim Lauderdale, known for his traditional country sound and engaging stage persona, treated fans to a series of hits that reinforced his reputation as a world-class performer. His blend of heartfelt ballads and upbeat country anthems added an international flavour to the festival, further enriching the experience for attendees.

One of the festival’s highlights came from the emerging talent showcased throughout the weekend. Rising stars such as Josh Setterfield and Kora Naughton demonstrated the strength and diversity of Australia’s next generation of country musicians. Naughton, performing tracks including her new single, impressed with her storytelling ability and stage confidence, while Setterfield’s soaring vocals added a powerful edge to the event.

The Groundwater Country Music Festival is not just about the music, though. The festival fosters a strong sense of community, with local food stalls, artisan markets, and beachside activities creating a relaxed, family-friendly atmosphere. Attendees were seen enjoying laid-back picnics on the beach, while others danced barefoot in the sand, embodying the spirit of the festival, where the beach meets the beats.

“Every year this unique country festival beside the beach gets better giving the tens of thousands of fans that turn out each of the three days an unforgettable live country music experience,” Experience Gold Coast CEO John Warn said. 

“The Gold Coast has such a vibrant and diverse calendar of annual events and Groundwater Country Music Festival has been a staple on that calendar for the past 11 years, attracting a dedicated community of country music fans from across the

country and overseas to the city every year. That’s great news for local businesses with the festival expected to generate more than $11 million for the Gold Coast economy this year.”

Festival Director Mark Duckworth said this year’s lineup lived up to its promise of delivering a special experience for both the country faithful but also festival goers discovering country music for the first time. 

“I don’t think you could have been in Broadbeach over the past three days and not fallen in love with country music,” said Mark. “The energy of country music really took over the Gold Coast this weekend showcasing an incredible and diverse lineup of homegrown and international artists, delivering something very special for everyone. The beachside line dancing was new to our program this year and proved a huge hit with country fans of all ages, as did the corn hole and country markets.”

Despite the large crowds, the festival remained a well-organized and safe event. Security and crowd management were effective, ensuring a smooth and enjoyable experience for all. Local businesses also benefited from the influx of visitors, with cafes, restaurants, and shops buzzing with activity throughout the weekend.

As the final notes of the festival rang out across the Gold Coast, it was clear that Groundwater had once again succeeded in delivering an unforgettable weekend. The festival not only brought country music to the beach but also cemented its place as a unique and essential part of Australia’s music festival landscape. Fans will no doubt be counting down the days until they can return for next year’s event, when Groundwater CMF returns from 17 to 19 October 2025. 
, and fans will be once again ready to celebrate their love of country music in the sun-soaked paradise that is the Gold Coast.

Multi Award-winning children’s music group The Wiggles have today released a new single and video that promises to rev up the fun!

Big Red Ute is a lively country-rock infused anthem that invites young listeners (and parents alike) to hop on board for an exciting musical journey. Blending The Wiggles signature upbeat melodies, playful lyrics and irresistible beat, this is one catchy song that is sure to delight on any road trip.

While many are familiar with the iconic Big Red Car, for the first time ever The Wiggles have also unveiled their brand new, official roadworthy vehicle, the Big Red Ute. That’s right kids, you might just be lucky enough to ‘spotto’ The Wiggles cruisin’ on the road with their new wheels!

“’Big Red Ute’ is a playful nod to our original ‘Big Red Car’, but with a country rock twist that’s perfect for kids and parents alike. There’s something truly special about taking everyday things like electric windows, cup holders, and the sound of the engine, and turning them into exciting adventures for children. Young minds have a beautiful way of being fascinated by the simplest things. A child might hear the ‘vroom’ of an engine or see a window rolling up, and suddenly, it’s magic. ‘Big Red Ute’ is all about celebrating those little wonders that kids notice – things we adults sometimes take for granted. And the best part? It’s a song families can sing and dance to together, and we can’t wait to perform it at the Tamworth Country Music Festival!”

The Wiggles are set to throw on their cowboy / cowgirl hats, taking the Big Red Ute on a road trip to Australia’s Country Music Capital, Tamworth Country Music Festival, where they will take their show off road and perform two very special shows on January 21 at AELEC (Australian Equine and Livestock Events Centre). This will be the first time The Wiggles have performed in such a unique venue which is usually reserved for Rodeo’s and Horse Cutting events. Tamworth get ready to Wiggle up and Giddy up!

Over the October long weekend, nestled in the tranquil countryside of Lower Belford, NSW, the Dashville Skyline Festival once again offered an unforgettable experience for music lovers, gathering a passionate crowd under the theme of cosmic country, alt-country, and roots music. Now in its 10th year, the festival delivered a captivating blend of local Australian talent and international acts, keeping true to its reputation as one of the most eclectic celebrations of Americana-inspired music in the Southern Hemisphere.

Set in the picturesque Dashville venue, the festival had a relaxed and earthy vibe, with gum trees framing the stages and the aroma of campfires lingering in the air. Dashville is a space designed for music lovers to kick back, enjoy quality live music, and immerse themselves in the festival’s homely, unpretentious atmosphere. As always, the weekend brought a diverse lineup of seasoned performers and emerging artists, leaving no corner of the alt-country genre unexplored.

William Crighton, one of Australia’s most revered contemporary roots artists, was among the weekend’s most highly anticipated acts. Crighton’s powerful presence commanded attention as he took to the stage with his signature fusion of folk, rock, and storytelling. The performance was a spellbinding journey, with Crighton weaving darkly poetic narratives about Australia’s landscape, its people, and environmental struggles. Tracks like “Stand on the Outside” and “Your Country” left the audience in awe, his voice booming with a deep, earthy resonance that felt like it rose from the very soil beneath our feet. His set was spiritual, raw, and unyielding—a true reflection of his artistic vision.

The energy shifted up a notch with Good Corn Liquor, a high-octane bluegrass band from Australia. Their set was lively, filled with blistering banjo licks and tight harmonies that brought a smile to every face in the crowd. Drawing on both traditional Appalachian influences and their own original compositions, they delivered a toe-tapping performance that had festivalgoers dancing in front of the stage and spilling into the surrounding fields. Their chemistry on stage was infectious, and the precision with which they navigated the complex rhythms and melodies made them a highlight of the weekend.

Shane Howard, the iconic Australian singer-songwriter and former lead of Goanna, graced the stage on Sunday night, creating an atmosphere of reflective, emotive storytelling. Howard, with his decades-long history in folk music, performed timeless hits like “Solid Rock” and “Let the Franklin Flow,” while his band added a fresh dynamic with harmonies and instrumental prowess. There was a sense of reverence in the audience as Howard’s words resonated deeply, drawing attention to Australia’s cultural history and environmental issues, while the songsmiths iconic songs still infuse energy into every performance.

International acts added a thrilling variety to the weekend. Uncle Lucius, the Southern rockers hailing from Austin, Texas, delivered two powerful and soulful sets. Their gritty, blues-infused sound was a perfect fit for Dashville’s cosmic country aesthetic, with fan favourites like “Keep the Wolves Away” resonating deeply with the crowd.

British singer-songwriter Grace Petrie brought something different to the lineup with her politically charged folk anthems. Armed with just her guitar and razor-sharp wit, Petrie won over the audience with songs that blended vulnerability, defiance, and hope. Her candid and conversational stage presence made the set feel deeply personal and connected, leaving many festivalgoers newly converted fans by the end.

The Rose City Band, a psychedelic Americana outfit from Portland, Oregon, took the audience on a trippy, sun-soaked journey. Their extended jams, lush melodies, and hypnotic rhythms were mesmerizing, offering a perfect soundtrack for a chilled afternoon. In contrast, Buck ‘N’ Stuff brought their Southern-fried swagger and rollicking country rock to the stage, firing up the crowd with loud guitars and gritty vocals.

Ross Wilson, the legendary frontman of Daddy Cool and Mondo Rock, brought a dose of classic Australian rock and roll to Dashville. His set was a hit parade of nostalgic gems, with songs like “Eagle Rock” and “Come Said the Boy” eliciting massive singalongs from the crowd. Despite his decades-long career, Wilson’s energy was as infectious as ever, proving that he’s still very much a force to be reckoned with on stage.

The Melbourne-based rock band Kingswood added a sharp, electrifying edge to the festival with their mix of rock, blues, and country-tinged tunes. Their hard-hitting performance, marked by tight musicianship and energetic stage presence, was a contrast to the more laid-back sets, injecting a bit of grit and edge into the weekend’s proceedings.

Meanwhile, Jeb Cardwell’s performance stood out for its masterful guitar work. The renowned guitarist and singer-songwriter, known for his ability to blend blues, rock, and country, delivered a searing set. His bluesy licks and soulful vocals left a lasting impression, earning him a new wave of admirers by the end of his performance.

Camille Trail’s haunting, smoky vocals and introspective songwriting made for one of the most captivating sets of the weekend, accompanied by the ethereal guitar and harmonies of Riley Catherall. Her ability to blend Americana with a distinctly Australian storytelling style is rare and refreshing. Andy Golledge, known for his rambunctious, beer-soaked alt-country style, had the crowd singing and stomping along to his lively tunes, creating an atmosphere of joyous rebellion. James Ellis & The Jealous Guys, bringing honky-tonk charm and twangy guitars, provided a refreshing dose of classic country music with a modern twist.

Ella Hooper, formerly of Killing Heidi fame, proved her versatility as an artist, stepping into the alt-country realm with grace. Her set was raw, emotive, and bursting with energy, showcasing her growth as a solo artist. Hooper’s powerful voice and charisma captivated the crowd, marking her transition from rock queen to a country star on the rise.

A festival at Dashville wouldn’t be complete without the presence of hometown heroes Magpie Diaries. Known for their soulful and nostalgic take on cosmic country, their performance was both a homecoming and a celebration of community. Magpie Diaries brought warmth to the stage, blending soulful harmonies with thoughtful lyricism. Their set featured songs from their album “Sanctuary”, which felt like an ode to the very spirit of the festival—heartfelt, reflective, and steeped in a love for music and storytelling.

Dashville Skyline 2024 was a triumphant celebration of music that defied the boundaries of genre, offering a platform for both seasoned artists and new talent to shine. The festival’s commitment to creating an inclusive, down-to-earth environment was palpable, making it a haven for cosmic country, roots, and Americana music in Australia. where each act brought something unique, ensuring that everyone left with memories of a weekend filled with music, community, and the timeless spirit of storytelling.