Reviews
Don’t Mind If I Do – Riley Green
Riley Green’s latest album, “Don’t Mind If I Do,” is a masterful blend of traditional country sounds and modern storytelling, showcasing his growth as an artist. Produced by the legendary Dann Huff, Scott Borchetta, and Jimmy Harnen, this album is a testament to Green’s ability to stay true to his roots while exploring new musical territories.
The album kicks off with the energetic “That’s A Mistake,” setting the tone with its shuddering bass and catchy chorus. However, it’s the title track, “Don’t Mind If I Do,” that truly stands out. This duet with Ella Langley is a hit, blending Green’s rich vocals with Langley’s haunting harmonies. The song’s emotional depth and catchy melody make it an instant favorite, capturing the essence of regret and second chances.
“Jesus Saves” is another standout track, serving as the emotional centerpiece of the album. This poignant song tells the story of a down-on-his-luck man finding solace in his faith. The tender acoustic guitars and Green’s heartfelt vocals make this track a powerful testament to the healing power of belief. It’s a song that resonates deeply, showcasing Green’s storytelling prowess.
“Too Early To Drink” brings a honky-tonk vibe reminiscent of Willie Nelson, adding a touch of humor to the album. The retro-country feel and playful lyrics make it a fun, lighthearted track that contrasts nicely with the more serious songs on the album. It’s a reminder of Green’s versatility and ability to craft songs that are both entertaining and relatable.
“Damn Good Day To Leave” is a southern rock-influenced track that blends carefree vibes with a catchy, sing-along chorus. This song, with its beachy, Kenny Chesney-style feel, offers listeners a chance to escape to a sunny getaway after a toxic relationship. Green’s unrepentant lyrics and upbeat melody make it a standout track that’s sure to be a fan favorite.
The closing track, “Worst Way,” is the sexiest song on the album, oozing with pheromones and longing. Green’s rich, moody voice conveys the anticipation of a passionate night, making it a perfect ending to the album. The sultry electric guitar and smooth vocals create a seductive atmosphere, leaving listeners wanting more.
The production of “Don’t Mind If I Do” is top-notch, thanks to the expertise of Dann Huff, Scott Borchetta, and Jimmy Harnen. Huff’s influence is evident in the polished sound and intricate arrangements, while Borchetta and Harnen bring their industry experience to ensure the album’s commercial appeal. Together, they have crafted an album that is both sonically impressive and emotionally resonant.
Overall, “Don’t Mind If I Do” is a brilliant showcase of Riley Green’s talent and versatility. From sultry ballads to rollicking anthems, this album has something for everyone. Green’s ability to blend traditional country sounds with modern influences makes this album a must-listen for any country music fan. Whether you’re a longtime fan or new to his music, “Don’t Mind If I Do” is sure to leave a lasting impression.
Reviews
Live From The Ryman, Vol.2 – Jason Isbell & The 400 Unit
Jason Isbell & The 400 Unit’s latest release, “Live From The Ryman – Vol.2,” is a testament to the band’s exceptional live performance prowess and Isbell’s masterful songwriting. This album captures the raw energy and emotional depth of their live shows, offering fans a front-row seat to one of the most revered acts in contemporary country music.
Jason Isbell & The 400 Unit’s latest release, “Live From The Ryman – Vol.2,” is a testament to the band’s exceptional live performance prowess and Isbell’s masterful songwriting. This album captures the raw energy and emotional depth of their live shows, offering fans a front-row seat to one of the most revered acts in contemporary country music.
The album features 15 live versions of songs from the band’s last two critically acclaimed, award-winning studio albums – Reunions (2020) and Weathervanes, (2023) , early on guiding us through songs like “King Of Oklahoma,” a powerful track that showcases Isbell’s storytelling abilities. The song delves into themes of struggle and redemption, painting a vivid picture of life in the heartland. Isbell’s gritty vocals are complemented by the band’s tight instrumentation, creating a compelling and immersive listening experience.
“Middle Of The Morning” follows in the middle of the set, offering a more introspective look at life’s quieter moments. The song’s gentle melody and reflective lyrics highlight Isbell’s ability to convey deep emotion with simplicity and grace. The 400 Unit’s subtle yet effective backing provides the perfect backdrop for Isbell’s poignant delivery.
“When We Were Close” is another standout track, capturing the bittersweet nostalgia of past relationships. The song’s haunting melody and evocative lyrics are brought to life by the band’s dynamic performance. Amanda Shires’ fiddle playing adds a layer of melancholy beauty, while her harmonies with Isbell create a sense of intimacy and connection.
One of the highlights of “Live From The Ryman – Vol.2” is the band’s poignant rendition of Tom Petty’s “Room At The Top.” Isbell and The 400 Unit pay homage to the late rock legend with a heartfelt and faithful cover. Isbell’s vocals capture the defiant spirit of the original, while the band’s performance adds a fresh, contemporary twist. It’s a standout moment on the album, demonstrating the band’s ability to honor their influences while making the song their own.
The album’s closing track, “This Ain’t It,” is a nine-minute epic that takes listeners on an emotional journey. The song builds slowly, with Isbell’s soulful vocals and the band’s intricate instrumentation creating a sense of tension and release. The extended instrumental sections showcase the band’s musicianship, with each member contributing to the song’s powerful climax. It’s a fitting end to an album that is both deeply personal and universally relatable.
The synergy between Isbell and The 400 Unit is evident throughout the album. The band’s chemistry is palpable, with each member contributing to the overall sound in a meaningful way. Amanda Shires’ fiddle playing is particularly noteworthy, adding a layer of depth and emotion to the songs. Her harmonies with Isbell are sublime, creating a sense of unity and cohesion that elevates the music.
The production of “Live From The Ryman – Vol.2” is top-notch, capturing the energy and spontaneity of the band’s live performances. The album has a warm, organic sound that makes listeners feel like they’re right there in the audience. The mix is well-balanced, allowing each instrument to shine while maintaining a cohesive overall sound.
Overall, “Live From The Ryman – Vol.2” is a triumph for Jason Isbell & The 400 Unit. The album showcases the band’s exceptional musicianship and Isbell’s unparalleled songwriting. From the powerful opening track to the epic closing number, the album is a journey through the highs and lows of life, love, and everything in between. Fans of Isbell and The 400 Unit will find much to love here, while newcomers will be drawn in by the band’s raw talent and emotional depth.
In a world where live music has become a rare and precious commodity, “Live From The Ryman – Vol.2” is a reminder of the power of live performance. It’s an album that captures the magic of a Jason Isbell & The 400 Unit show, offering a glimpse into the heart and soul of one of the most compelling acts in country music today. Whether you’re a longtime fan or new to their music, this album is a must-listen, showcasing the best of what Jason Isbell & The 400 Unit have to offer.
Reviews
Whirlwind – Lainey Wilson
“Whirlwind” is a masterful blend of country storytelling, modern influences, and classic charm. The production is polished, with each track featuring a mix of traditional instruments like guitars and fiddles, alongside more contemporary sounds. Wilson’s brassy soprano voice is the star of the show, capable of conveying a wide range of emotions from joy to sorrow.
Lainey Wilson’s “Whirlwind” is a compelling and dynamic album that solidifies her place as one of country music’s rising stars. With its blend of traditional and modern elements, heartfelt lyrics, and strong vocal performances, the album is a testament to Wilson’s talent and growth as an artist.
Lainey Wilson’s latest album, “Whirlwind”, is a testament to her growth as an artist and her ability to blend traditional country with modern influences. Released in August 2024, this album showcases Wilson’s signature “bell-bottom country” style, a unique mix of Southern rock, soul, and classic Nashville sounds.
“Whirlwind” is Wilson’s third major-label album, and it reflects her journey and evolution in the music industry. The album is bold, fun, and deeply personal, with Wilson’s confidence shining through in every track. From playful tunes to heartfelt ballads, “Whirlwind” offers a diverse range of songs that highlight Wilson’s versatility as a singer and songwriter.
“Country’s Cool Again” is a nod to the recent resurgence of country music’s popularity. With its upbeat tempo and catchy lyrics, Wilson celebrates the genre’s return to the mainstream. The song’s playful nature and Wilson’s enthusiastic delivery make it a standout on the album.
Further into the album, “Bar in Baton Rouge” is a powerful ballad that showcases Wilson’s vocal prowess, this song delves into themes of heartbreak and resilience. The lyrics are poignant and relatable, capturing the essence of hitting rock bottom and finding the strength to rise again.
Looking for an inspiring anthem? Then head towards track twelve, “Middle of It”, a motivational anthem that encourages listeners to keep pushing through tough times. Wilson’s empathetic and knowing tone makes it feel like she’s singing directly to anyone who’s ever faced adversity.
“Counting Chickens” is filled with charming lyrics and a catchy melody. It’s one of the more playful tracks on the album, showcasing Wilson’s ability to blend humour with heartfelt storytelling, reminiscent of Shania Twain’s “No One Needs To Know”.
The fiery “Ring Finger” is all about empowerment and moving on from a toxic relationship, with its strong beat and assertive lyrics, Wilson delivers a powerful message of self-worth and independence.
The album also features some impressive collaborations. Notably, Miranda Lambert joins Wilson on the wistful track “Good Horses,” adding another layer of depth and emotion to the album.
“Whirlwind” is a masterful blend of country storytelling, modern influences, and classic charm. The production is polished, with each track featuring a mix of traditional instruments like guitars and fiddles, alongside more contemporary sounds. Wilson’s brassy soprano voice is the star of the show, capable of conveying a wide range of emotions from joy to sorrow.
Lainey Wilson’s “Whirlwind” is a compelling and dynamic album that solidifies her place as one of country music’s rising stars. With its blend of traditional and modern elements, heartfelt lyrics, and strong vocal performances, the album is a testament to Wilson’s talent and growth as an artist.
Festivals
Dashville Skyline Festival 2024: A Celebration of Cosmic Country and Roots Music
Over the October long weekend, nestled in the tranquil countryside of Lower Belford, NSW, the Dashville Skyline Festival once again offered an unforgettable experience for music lovers, gathering a passionate crowd under the theme of cosmic country, alt-country, and roots music. Now in its 10th year, the festival delivered a captivating blend of local Australian talent and international acts, keeping true to its reputation as one of the most eclectic celebrations of Americana-inspired music in the Southern Hemisphere.
Set in the picturesque Dashville venue, the festival had a relaxed and earthy vibe, with gum trees framing the stages and the aroma of campfires lingering in the air. Dashville is a space designed for music lovers to kick back, enjoy quality live music, and immerse themselves in the festival’s homely, unpretentious atmosphere. As always, the weekend brought a diverse lineup of seasoned performers and emerging artists, leaving no corner of the alt-country genre unexplored.
William Crighton, one of Australia’s most revered contemporary roots artists, was among the weekend’s most highly anticipated acts. Crighton’s powerful presence commanded attention as he took to the stage with his signature fusion of folk, rock, and storytelling. The performance was a spellbinding journey, with Crighton weaving darkly poetic narratives about Australia’s landscape, its people, and environmental struggles. Tracks like “Stand on the Outside” and “Your Country” left the audience in awe, his voice booming with a deep, earthy resonance that felt like it rose from the very soil beneath our feet. His set was spiritual, raw, and unyielding—a true reflection of his artistic vision.
The energy shifted up a notch with Good Corn Liquor, a high-octane bluegrass band from Australia. Their set was lively, filled with blistering banjo licks and tight harmonies that brought a smile to every face in the crowd. Drawing on both traditional Appalachian influences and their own original compositions, they delivered a toe-tapping performance that had festivalgoers dancing in front of the stage and spilling into the surrounding fields. Their chemistry on stage was infectious, and the precision with which they navigated the complex rhythms and melodies made them a highlight of the weekend.
Shane Howard, the iconic Australian singer-songwriter and former lead of Goanna, graced the stage on Sunday night, creating an atmosphere of reflective, emotive storytelling. Howard, with his decades-long history in folk music, performed timeless hits like “Solid Rock” and “Let the Franklin Flow,” while his band added a fresh dynamic with harmonies and instrumental prowess. There was a sense of reverence in the audience as Howard’s words resonated deeply, drawing attention to Australia’s cultural history and environmental issues, while the songsmiths iconic songs still infuse energy into every performance.
International acts added a thrilling variety to the weekend. Uncle Lucius, the Southern rockers hailing from Austin, Texas, delivered two powerful and soulful sets. Their gritty, blues-infused sound was a perfect fit for Dashville’s cosmic country aesthetic, with fan favourites like “Keep the Wolves Away” resonating deeply with the crowd.
British singer-songwriter Grace Petrie brought something different to the lineup with her politically charged folk anthems. Armed with just her guitar and razor-sharp wit, Petrie won over the audience with songs that blended vulnerability, defiance, and hope. Her candid and conversational stage presence made the set feel deeply personal and connected, leaving many festivalgoers newly converted fans by the end.
The Rose City Band, a psychedelic Americana outfit from Portland, Oregon, took the audience on a trippy, sun-soaked journey. Their extended jams, lush melodies, and hypnotic rhythms were mesmerizing, offering a perfect soundtrack for a chilled afternoon. In contrast, Buck ‘N’ Stuff brought their Southern-fried swagger and rollicking country rock to the stage, firing up the crowd with loud guitars and gritty vocals.
Ross Wilson, the legendary frontman of Daddy Cool and Mondo Rock, brought a dose of classic Australian rock and roll to Dashville. His set was a hit parade of nostalgic gems, with songs like “Eagle Rock” and “Come Said the Boy” eliciting massive singalongs from the crowd. Despite his decades-long career, Wilson’s energy was as infectious as ever, proving that he’s still very much a force to be reckoned with on stage.
The Melbourne-based rock band Kingswood added a sharp, electrifying edge to the festival with their mix of rock, blues, and country-tinged tunes. Their hard-hitting performance, marked by tight musicianship and energetic stage presence, was a contrast to the more laid-back sets, injecting a bit of grit and edge into the weekend’s proceedings.
Meanwhile, Jeb Cardwell’s performance stood out for its masterful guitar work. The renowned guitarist and singer-songwriter, known for his ability to blend blues, rock, and country, delivered a searing set. His bluesy licks and soulful vocals left a lasting impression, earning him a new wave of admirers by the end of his performance.
Camille Trail’s haunting, smoky vocals and introspective songwriting made for one of the most captivating sets of the weekend, accompanied by the ethereal guitar and harmonies of Riley Catherall. Her ability to blend Americana with a distinctly Australian storytelling style is rare and refreshing. Andy Golledge, known for his rambunctious, beer-soaked alt-country style, had the crowd singing and stomping along to his lively tunes, creating an atmosphere of joyous rebellion. James Ellis & The Jealous Guys, bringing honky-tonk charm and twangy guitars, provided a refreshing dose of classic country music with a modern twist.
Ella Hooper, formerly of Killing Heidi fame, proved her versatility as an artist, stepping into the alt-country realm with grace. Her set was raw, emotive, and bursting with energy, showcasing her growth as a solo artist. Hooper’s powerful voice and charisma captivated the crowd, marking her transition from rock queen to a country star on the rise.
A festival at Dashville wouldn’t be complete without the presence of hometown heroes Magpie Diaries. Known for their soulful and nostalgic take on cosmic country, their performance was both a homecoming and a celebration of community. Magpie Diaries brought warmth to the stage, blending soulful harmonies with thoughtful lyricism. Their set featured songs from their album “Sanctuary”, which felt like an ode to the very spirit of the festival—heartfelt, reflective, and steeped in a love for music and storytelling.
Dashville Skyline 2024 was a triumphant celebration of music that defied the boundaries of genre, offering a platform for both seasoned artists and new talent to shine. The festival’s commitment to creating an inclusive, down-to-earth environment was palpable, making it a haven for cosmic country, roots, and Americana music in Australia. where each act brought something unique, ensuring that everyone left with memories of a weekend filled with music, community, and the timeless spirit of storytelling.
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