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Van Walker’s Third Single Shines On ‘Her Gentleness’
Following the release of his outstanding new album Healing Descent, TasmanianFolk/Roots troubadour Van Walker drops the third single, Her Gentleness, off the record with an accompanying video.
Of the banjo lead song, Van says it is “A song inspired by the love of someone whose nature is at odds with much of this brutish world, but whose innate gentle strength and stubbornness means thankfully she will never change. Her gentleness is the strongest thing in the world there is.”
“Van Walker returns after his marvelous 2020 album Ghosting (one of our top albums of that year) with Healing Descent,.. In both releases, Walker’s trademark lyrical honesty and raspy yearning vocals are consistently undeniable. Healing Descent is a truthful celebration from a masterful singer/songwriter.”
‘OUR TOP SIX ALBUMS’ – OCTOBER 2024
LISTENING THRU THE LENS
Van Walker returns from his award winning album GHOSTING (2020) with HEALING DESCENT (2024), ten personally powerful songs written around the spring of the first major lockdown (2020).
Recorded in just four days during a break on a Canadian tour last year, Van took the opportunity to team up again with mate and multi-instrumentalist Chris Altmann to produce Healing Descent, due out on Cheersquad Records late September 2024.
“That first spring of lockdown really packed a wallop after such a strange, dark time,” says Van. “The man-made world might have ground to a halt (due to the virus), but the natural world rolled on, and the very first day of spring was abuzz with colour and scents in bloom and insects going about their business. But most importantly: Promise. The real world was alive and completely oblivious to our troubles, and it was impossible not to be buoyed by that. Songs started pouring out celebrating that miracle.”
Feel good songs such as Persephone’s Return and Her Gentleness that sparkle with optimism.
“It was also a time of refuge from the ruin of the preceding period that bore my previous album, Ghosting. It felt as if I too had come full circle and survived, ready to go busily about my business once again. So there’s an undercurrent of that going on too. Ruin & Refuge. Death & Reanimation. There’s also songs on the album about those who didn’t survive that time (Certainty of Sand), and the heart wrenching darkness of the journey that isn’t a certainty.”
Fast forward a few years, a trip halfway around the world and a chance four day period off tour to record these songs in Canada with Carl Jennings & Chris Altmann, Van’s old mate and producer of past albums such as The Celestial Railroad (2008) and Bush League Bard (2010) who was like a touchstone between the past and present.
“Chris is like a musical mind-reader, he’s so talented and easy to work with, and he introduced me to Carl Jennings who also has the musical might and muscle, and a great studio in Hamilton, and the three of us just laid it down, bringing these songs alive, as did other friends and fam’ back home. Songs are like emotional mementos bursting with potential life, and with the right treatment, they’re proof positive of the seemingly unstoppable regeneration of the human spirit. They just need to be activated.”
“Van happened to be in town and so naturally I jumped at the chance to work with him again,” says producer Chris Altmann. “The first album I ever produced was his sprawling Celestial Railroad back in 2008 and we’ve had lots of fun working together over the years. I relocated to Canada some time ago so it was a great chance to introduce Van to Carl Jennings, a highly respected Hamilton musician and engineer at Westmoreland Studio. He was blown away by Van’s songs and voice. This new collection of songs are quite interesting compositions structurally, and sure enough they’re now all firmly stuck in my head!”
The working title of the record was Verdant One (meaning Green) a cyclic collection coursingwith deep undercurrents of meaning and chthonic force, yet it wasn’t until the album was finished and the artwork compiled and being finalised that Van realised that all four seasons were mentioned in the songs:
“Opening track: Summer Thunder, then there’s Hades’ Lullaby (Autumn), Persephone’s Return (Spring), and, of course, Winter’s Last Words.
I didn’t even realise until it was pointed out to me!”
Healing Descent is an earthy yet effortless album of heartfelt material from an artist on the upswing, celebrating the upheaval of the past with an optimistic renewal of the spirit.
| DON’T MISS VAN WALKER LAUNCHING HEALING DESCENT: |
| OCT 26 – Brunswick Ballroom, Melbourne *Full Band*Album Launch* |
| OCT 27 – George Lane, St Kilda *Full Band*Album Launch* |
| NOV 15 – Major Toms, Kyneton VIC |
| NOV 20 – Ararat Live, Ararat VIC |
| NOV 28 – Ember Lounge Memo, St Kilda |
| NOV 30 – Eureka Hotel, Geelong |
| DEC 7 – Tanswells Commercial, Beechworth VIC |
Australian honky tonk troubadour James Ellis has delivered a gem with his latest album, The Party Might Be Over. Packed with sharp storytelling and genuine emotion, Ellis brings his signature blend of wit and heart to this record, capturing the essence of honky tonk while giving it his own unique twist. Recorded remotely between Melbourne and Nashville during the pandemic, this album is a testament to Ellis’s dedication to his craft and his ability to adapt and thrive even in challenging times.
Ellis’s voice is at its finest in Lonely, Sad and Blue, one of the standout tracks on the album. It’s a soulful exploration of heartache that channels the spirit of classic honky tonk but with a modern sensitivity. Ellis’s rich, emotive voice brings out the raw pain in the lyrics, while the subtle twang of steel guitar gives the song a timeless feel. It’s the kind of track that feels both intimate and universal—a tune that makes you want to drown your sorrows in a dimly lit bar, yet find solace in knowing you’re not alone in your heartache.
Another highlight is the cheeky Don’t Drink By Yourself (If You Can’t Be Drunk Alone), a honky tonk anthem with a wink. The song combines clever, playful lyrics with an infectious rhythm, creating a tune that’s both entertaining and oddly comforting. It’s a lighthearted reminder not to take life too seriously, with an upbeat energy that’s impossible to resist. The rhythm section, recorded by some of Nashville’s top talent, drives this track with precision, adding to its barroom charm. This song is honky tonk at its best—fun, relatable, and brimming with personality.
Producer Micah Hulscher, known for his work with top Nashville acts, deserves immense credit for shaping the album’s sound. Hulscher brought together a stellar lineup of Nashville musicians, including legends like Fats Kaplin, Chris Scruggs, and Lillie Mae, who added their own magic to Ellis’s songs. Recorded at the legendary Creative Workshop Studios in Nashville, the album has a warm, rich sound that makes it feel like a live honky tonk performance, even though it was recorded remotely. The musicianship on each track is flawless, supporting Ellis’s storytelling with nuanced, heartfelt instrumentation.
The Party Might Be Over marks a significant evolution for James Ellis since his previous album, Country Lion. While Country Lion showcased his talent and raw potential, this new album feels more polished, more intentional, and more self-assured. Ellis has refined his voice and his storytelling, creating songs that are both relatable and timeless. He’s moved beyond the role of honky tonk storyteller to become a true artist, delivering songs that feel authentic and memorable.
In The Party Might Be Over, James Ellis has crafted an album that celebrates the highs and lows of life with humor, heart, and a whole lot of soul. It’s a must-listen for fans of honky tonk and classic country, and a promising indication of even greater things to come from this talented Australian singer-songwriter.
Listen to the Country HQ Spotlight On Podcast with James Ellis.
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REVIEW: Barely Blue – Midland
A showcase for Midland’s skill in fusing classic country elements with contemporary sensibilities, “Barely Blue”—produced by the legendary Dave Cobb—contributes to the band’s unified and introspective discography.
A showcase for Midland’s skill in fusing classic country elements with contemporary sensibilities, “Barely Blue”—produced by the legendary Dave Cobb—contributes to the band’s unified and introspective discography.
Song number one on the album, “Lucky Sometimes,” establishes the mood for the whole thing. The album’s profound lyrics and powerful emotional resonance are brought to light by the song’s spare production, which lets the band’s harmonies sing out. Embracing serendipity and the bittersweetness of life’s unexpected twists and turns, the lyrics, “Sometimes, you just get lucky and you don’t ask why / It’s like falling up to heaven and coming up a seven / Every time you roll the dice,” encapsulate the qualities of the song.
The album’s title tune, “Barely Blue,” is one of its memorable moments. It takes a sombre, contemplative look at loss and perseverance, drawing on Midland’s long-embraced sound that was influenced by George Strait. with crisp and interwoven harmonies give the song a deeper meaning, which is both sad and hopeful. Like the rest of the album, this song showcases Midland’s talent for writing music that sounds as good now as it did decades ago.
With its beautiful guitar intro and heartwarming promise of new love, “Better Than A Memory” is another standout. With its upbeat tempo, catchy choruses, and wistful, nostalgic mood, “Vegas” puts a modern spin on the old “what happens in Vegas stays in Vegas” story .
“Baby It’s You” showcases Midland’s adaptability and desire to explore diverse sounds while the song’s silky vocals and Bee Gees-inspired beat set it apart. The trio’s distinctive harmonies are front and centre on the heartfelt “Old Fashioned Feeling”, setting the mood for a welcoming and comforting listening experience.
“Halfway to Heaven” and “Lone Star State of Mind,” the album’s last two songs, are among its best. “Halfway to Heaven” evokes the music of Waylon Jennings and provides a sparkling slice of country tradition that is at once familiar and new. Mark Wystrach’s powerful lead vocals are on full display in the final track, “Lone Star State of Mind,” a moving and emotionally packed tune. It is one of Midland’s finest songs ever recorded due to its acoustic-driven melody and emotional lyrics.
“Barely Blue” has a few gripes, one of which is its length. There are eight songs on the album, which isn’t very long and leaves listeners wanting more. The album would have felt more finished with a couple of extra tracks, even though the song quality is very excellent. Nevertheless, this small criticism does not diminish the album’s overall influence.
Many consider “Barely Blue” to be the album that really set Midland apart from her peers. With a more mature and contemplative sound that is cohesive and engaging, it is less chaotic than some of their past work. The album delves further into the band’s conventional influences while simultaneously venturing into new musical realms, creating a set of songs that can be played again and again, revealing new nuances and layers with every listen .
On “Barely Blue”, Midland have captured the band’s development as artists and chronicles their journey over the last decade. The album exemplifies Midland’s talent for making music that stands the test of time with its combination of classic country elements and contemporary production. It is layered in emotional depth and complexity, whilst still staying true to the bands signature mature approach to country music.
Country music sensation Tanner Adell is set to make waves this summer with her latest single, “Cowboy Break My Heart”, as the song has quickly become a fan favourite, capturing the essence of heartbreak and resilience with a catchy, upbeat melody.
Adell’s new track is a perfect blend of traditional country and modern pop influences, showcasing her unique style and vocal prowess. Written by Adell along with Akil “Worldwidefresh” King, Stephen “Di Genius” McGregor, Will Weatherly, and Anthony Germaine White, “Cowboy Break My Heart” tells the story of a love gone wrong, inspired by a past relationship with a Dallas Cowboys fan. The song’s infectious chorus and relatable lyrics make it an instant anthem for anyone who’s ever experienced heartache.
The release of “Cowboy Break My Heart” comes just in time for Adell’s highly anticipated performances at the Ridin’ Hearts festival in Sydney and Melbourne. Fans are eagerly awaiting her live renditions of the new single, which promises to be a highlight of the festival. Adell’s energetic stage presence and powerful vocals are sure to make her performances unforgettable.
Produced by LVRN Records, the single marks a significant milestone in Adell’s career. Her debut performance of the song at the BET Awards earlier this year was met with widespread acclaim, further cementing her status as a rising star in the country music scene.
As Adell prepares to take the stage at Ridin’ Hearts, “Cowboy Break My Heart” is poised to become the soundtrack of the summer, resonating with fans across Australia and beyond. With its blend of heartfelt storytelling and catchy rhythms, the song is a testament to Adell’s talent and her ability to connect with listeners on a deeply emotional level.
REVIEW: The Four Seasons – Henry Wagons
REVIEW: Brighter Days – Dwight Yoakam
