REVIEW: The Four Seasons – Henry Wagons

Henry Wagons’ latest album, “The Four Seasons”, is an enthralling exploration of alt-country music that fuses classic and contemporary styles. This album demonstrates Wagons’ distinctive talent for combining humour, feeling, and musical exploration into a unified and captivating listening experience that leaves you wanting more and awaiting the chance to embrace this album in a live experience, dimly lit, smoke filled room, whiskey in hand.

Early in the album Wagons leads us into “Freight Train (Going South),” with eerie backing vocals and a piercing train horn establish the mood. With lyrics like “once you ride this train, you ain’t gonna want to ride trains no more,” Wagons ‘s deep, resonant voice evokes a feeling of exploration and self-reflection. Wagons’ talent for combining comedy and emotional storytelling is on full display in this and other songs like “I’m Glad I Fell In Love With You,” which incorporates pedal steel and sobbing mandolins.

Among the notable collaborations on the album are the duets with Queenie, a fellow Melburnian. Queenie’s vocals elevate the dramatic stakes of “Open The Door,” which culminate in a musically violent climax that is a stunning contrast to the introverted piano melody. The slower shuffle rhythm and pedal steel of “Surrender” evoke feelings of hesitancy and self-reflection, revealing a more sensitive side of the artist.

The instrumental interludes that distinguish “The Four Seasons” are a notable aspect of the album. With its hints of openness and independence muted by sinister undertones, “Autumn” evokes the atmosphere of a contemporary western mood piece. Leaning into a Sergio Leone-inspired soundscape, “Summer” has whistling and echoey brass that evokes visions of expansive, sun-kissed vistas. Minimalists in structure, “Winter” showcases acoustic guitar and swaying synths, while “Spring” provides a quick, energetic soundscape. Together, they make an impression and almost like brief intermezzo’s of the seasons and the landscape experience of Wagons’ himself.

The versatility of Wagons’ sound is on full display throughout the record. The semi-mechanized rhythm and swelling trumpets of “Park At The Station (Friends Of Mine)” create a new Melbourne ballad that delves into pragmatic crises and tales of friendship. With its bluesy tones and the touch of booze on the lips “Are You Impressed” gives the album yet another emotional edge that is hard to escape.

When experienced as a whole, “The Four Seasons” demonstrates Henry Wagons’ adaptability and originality. Sit back, relax, and let yourself be swept away by the album’s complex, lush soundscapes. Everyone from classic country music lovers to those seeking more contemporary sounds will find something they like on this album. With his deep voice, astute lyrics, and a wide array of musical influences, The Four Seasons is an outstanding alt-country album and one sure to feature in several end of year lists and awards nominations.