Connect with us

Latest News

Harvey Russell Reviews New Turnpike Troubadours Album “A Cat In The Rain”

Published

on

On “A Cat in the Rain” Turnpike Troubadours give us a glimpse into the struggles of the past few years and reassure us they can still produce quality, red dirt country.

There were many times over the last four years when this record seemed inconceivable.  With the band on an indefinite hiatus, following frontman and songwriter Evan Felker’s breakdown, there was a chance we’d heard the last of the Turnpike Troubadours.

With Felker getting sober, and with some firm guard rails around his return to playing live, the band began touring and recording again in 2022.

A Cat in the Rain is a comeback album.  It’s release is emblematic of the unlikely, yet triumphant, story that is the Turnpike Troubadours of 2023.  A while back (early 2019 to be a little more precise) things came apart at the seams.  This was at a time when the band’s recognition and success was at an all time high.  Put simply, without a functioning lead man and songwriter the band couldn’t go on. 

Away from the distracting and escapist comfort of the road, and with the fortitude it took to face his demons, Felker turned things around.  As with the band, it appears he has come out stronger on the other side.  And with fans flocking to their shows in the past 15 months, support has only grown.  There’s a lot of love at these recent live shows as well as gratitude and understated forgiveness. For the band, and for Felker in particular, there’s redemption in all of it.

Given the circumstances of its release it might be tempting to assess the merits of this album with wide and fawning eyes.  Indeed, it’s existence is a feat in itself.  On any assessment this is a strong Turnpike Troubadours album. But it doesn’t introduce a new direction or change of style, and it would be bold to say this is their absolute best effort yet.  However, what it does do is ground the band firmly in its roots at a time when they need it most.  It signals a brave return and a message that the band is back in town and hopefully here to stay.

I read somewhere that Felker is an Ernest Hemmingway fan.  ‘Papa’s’ short stories, one of which shares the same title as this album, often employ the iceberg theory to writing (or theory of omission). This is where only limited but important facts about a story become evident, leaving much of the real structure under the surface for the reader to deduce.  This should sound familiar to Turnpike fans.  Felker often gives us clear descriptions of situations pertinent to his lyrical storytelling, yet there always a lot bubbling away under the surface.  Many of the songs on A Cat in the Rain are no exception.

The band announces its return together, in an ominous and eerie fashion at the start of the opening track and first single, “Mean Old Sun”, with curdled backing vocals chanting behind a lone banjo.  Lyrically, this is Felker defining the period he spent recently in the wilderness, putting in the work to be strong enough to return.  This one hits with a heavy beat and makes a strong statement.  It’s the anthemic “Gin, Smoke, Lies” ten years on, with the production befitting a world class country band.

“Brought Me” is next.  And it’s a hard ask not to have this hook-soaked gem on repeat. This is the kind of track Turnpike fans will have been waiting for during the six years between albums.  Combining country, red dirt and cajun influences this is an affecting love song to the Turnpike community to say thank you for waiting.  There are also reassurances: “Oh now, it still beats steady/This heart I handed you for free/Should you ever need a thing/It won’t be hard to find.

Written by emerging artist Lance Roark and bassist R.C. Edwards, “Chipping Mill” is a catchy, familiar track, jostling for air with classic upbeat Turnpike songs such as “Morgan Street” or “7&7”.  “A Cat in the Rain”, “East Side Love Song” and dark, western “Lucille” have Felker contemplating his muse with varying degrees of intensity.  Interestingly, the persistent character of Lorrie is noticeably absent on this record. 

Felker does hunting songs well and “The Rut” is no exception.  Reminiscing about family trips into the mountains, the songwriter uses this opportunity to reflect honestly about his struggles with alcohol and the resolve he is now applying to create a better life. “I don’t miss the taste of liquor or really anything about it/But the temporary shelter was a welcome compromise/Oh friend, I’m gonna ride out of the rut I’m in/A little elevation and an open-ended prayer.”  The southern country cover of Ozark Mountain Daredevils “Black Sky” is an interesting choice and a change of pace for a record that, stylistically, is otherwise not a significant departure from previous Turnpike outings. 

Producer Shooter Jennings has managed to maintain much of the familiar Turnpike sound while bringing things up a notch, certainly compared to the early albums.  The band is playing as well as they ever have.  And Jennings has allowed each member’s contribution to shine, perhaps moreso than on previous albums.  The team effort is emphasised in the final moments of the last song on the record, a cover of Jerry Jeff Walker’s “Won’t You Give Me One More Chance” with the band singing their appeal in unison, just as they came in.

Latest News

Lyn Bowtell Unveils New Single “Paper Cut” as a Tribute to Women Supporting Women

Published

on

Acclaimed Australian singer-songwriter Lyn Bowtell has once again captured the hearts of listeners with her latest single, Paper Cut. The emotionally charged track, released on January 17, is a poignant exploration of resilience and the enduring impact of emotional wounds.

At its core, Paper Cut is more than just a song; it serves as a cornerstone for Bowtell’s forthcoming album, which celebrates the strength of women supporting women. The single’s origin story is as personal as it is relatable. Inspired by the sharp yet fleeting pain of an actual paper cut, Bowtell connected the experience to the lingering ache of relationship breakdowns. She describes the song as one of those rare creations that “arrive swiftly, almost fully formed.”

The track features the distinctive backing vocals of Kasey Chambers, a long-time admirer of Bowtell’s work. Chambers first heard Paper Cut during one of Bowtell’s transformative SHE Songwriting Retreats and was moved to collaborate. The retreats, founded by Bowtell, provide a haven for female songwriters to come together, share stories, and foster creativity in safe and supportive environments. With mentors like Chambers, Ashleigh Dallas, and Felicity Urquhart, the retreats have become a beacon of empowerment and healing for women in the music industry.

Produced by Bowtell and her partner Damon Morton, Paper Cut is a masterful blend of heartfelt lyrics and classic country instrumentation, with Bill Chambers lending his signature slide guitar. Bowtell’s roots in country music shine through, drawing inspiration from legends like Emmylou Harris and Patsy Cline while offering a modern perspective on heartbreak and healing.

Bowtell’s passion for advocating for women extends beyond her music. Through her SHE retreats, she continues to inspire women to care for themselves and each other, creating a ripple effect of empowerment in the industry and beyond.

With Paper Cut, Lyn Bowtell not only delivers a powerful anthem of resilience but also reaffirms her commitment to uplifting women through art and community. This release promises to resonate deeply with listeners and set the stage for an album that celebrates connection, healing, and solidarity.

Continue Reading

Latest News

Queensland Songstress Katelann Maree Celebrates Australia with New Single

Published

on

Katelann Maree, a singer-songwriter hailing from the rural town of Miles in Queensland’s Western Downs, is set to captivate audiences with her heartfelt new single, Australia My Home. Set for release on 24th January, this vibrant track is a love letter to the essence of Australian life, blending nostalgia with pride for our unique culture, landscapes, and traditions.


“With backyard BBQs, singing along to old Slim’s tunes
It’s barefoot footy and cricket on Australia Day
Where the beer tastes different in the land down under
The Milky Way… This is Australia, my home,”

Katelann beautifully captures the soul of the Australian way of life, from iconic backyard barbecues to the wonders of the Milky Way stretching across our skies.

The single marks the first of four original tracks to be released throughout 2025 under the Western Downs Regional Arts Development Fund grant, supported by the Queensland Government through Arts Queensland. This initiative showcases Katelann’s connection to her roots and her talent as a storyteller.

A lifelong Western Downs resident, Katelann’s musical journey is deeply personal. Her debut single, Grandad’s Guitar (2020), paid tribute to her grandfather, Jimmy Grealy, known as “Chinchilla Slim,” whose fingerpicking guitar style inspired her artistry. Her debut EP, A Different Kind of High, brought her songwriting to life under the mentorship of country music icons Catherine Britt and Melody Moko at the CMAA Academy.

In addition to her flourishing music career, Katelann is a dedicated music teacher, fitness trainer, and mother of three, with her youngest born on New Year’s Day 2025. Despite her busy life, her passion for storytelling through song remains her guiding force.

Australia My Home is not just a song; it’s a celebration of identity, history, and belonging. Katelann Maree invites listeners to join her on a journey through the heart of Australia, where every melody and lyric serves as a reminder of the beauty and resilience of our homeland.

Stay tuned for more releases in 2025 as this talented artist continues to share her story and celebrate the country she calls home.

Continue Reading

Latest News

REVIEW: Healing Descent – Van Walker

Published

on

Van Walker’s latest album, Healing Descent, is a testament to his lyrical brilliance and emotional depth. Recorded in just four days during a break in his Canadian tour, the album reunites Van with long-time collaborator Chris Altmann and introduces Carl Jennings as part of the creative force behind its production. Together, they’ve crafted a collection of ten tracks that are as musically diverse as they are thematically profound.

Drawing inspiration from the first spring of lockdown in 2020, Van captures a delicate balance between optimism and reflection. Tracks like “Persephone’s Return” and “Her Gentleness” sparkle with hope, celebrating renewal and the unstoppable resilience of nature. Yet, the album doesn’t shy away from darker undertones, with songs like “Certainty of Sand” exploring themes of loss and uncertainty.

Healing Descent also showcases a subtle yet powerful interplay of seasons, with tracks such as “Summer Thunder” and “Winter’s Last Words” adding a cyclical, almost poetic, narrative. This undercurrent of “Ruin & Refuge” and “Death & Reanimation” ties the album together, making it more than just a collection of songs—it’s a cohesive journey through life’s tumultuous moments and the promise of renewal.

Van’s vocal and lyrical artistry are perfectly complemented by Altmann’s production expertise and Jennings’ studio mastery, breathing life into the album’s earthy yet intricate soundscapes. With Healing Descent, Van Walker proves once again why his music resonates deeply, offering listeners an album that is both profoundly personal and universally relatable. This is an artist at the peak of his craft, reminding us of the beauty and resilience found in both music and life itself.

Continue Reading

What's Hot

0:00
0:00