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Troubadour Harvey Russell Releases New Single, New Album In 2024

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With a new solo album coming in early 2024, Harvey Russell today reveals the third single from it, ‘Look Me In The Eye’, an honest and incisive appraisal of the world we’re living in.

As Russell embarked on the creative process for the forthcoming second album, his band The Widowmakers, a crack unit both in the studio and on stage, returned to add their mercurial touches to the first single ‘Honey Come Back to Me‘, which had its radio premiere on The Outpost on 2SER and online with Sunburnt Country Music.

Like a hip-shaking honky tonk classic, the chorus also revealed Wilco-like chord changes and a streak of melancholy, acting as a beautiful counterpoint to the lively verses.

Russell followed it up with ‘Last Dance’, the song’s backbone drum beat, stripped-back arrangement, gently distorted electric guitar and evocative fiddle playing brings to mind John Mellencamp circa The Lonesome Jubilee. In this case it’s emanating from the Australian heartland, underlined with a solo that could’ve come from a Paul Kelly song residing at the twangier end of Australian country rock.

Now Harvey reveals ‘Look Me In the Eye’, which premiered on Stuart Coupe‘s nationally syndicated Dirt Music radio show .


It’s a song with a lush warm and classic sound, beautifully balanced between familiar country and edgier alt-country sounds courtesy of producer Michael Carpenter (who also provides backing vocals). Aaron Langman’s playing is another standout feature of the song. His contrasting cosmic (and muscular) electric guitar and iconic country-sounding pedal steel gives the song a timeless quality. 

“Think I’ll go up to the cabin and leave you to be, and play some old Hank Williams and drink some whiskey”

From matters of the heart tackled on the previous singles, Russell now turns his mind to the divisive nature of modern societal discourse and the dangers of being blinded to life’s realities.

We/society are at risk of losing our way,” explains Russell, “I wanted to question whether we’re up to the challenges and the demons we face.”


Harvey Russell released his debut album Liquid Damage, an album of classic country songs for the modern world in 2019, recalling everyone from George Jones to Jeff Tweedy. It heralded the arrival of a new solo artist on the local scene, though Harvey had already had years of experience under his belt, both as the frontman for the rock and alt-country group Harvey Swagger Band in the late 00s, and then as one half of the more acoustic-based country-folk duo Peasant Moon.

Russell’s well-received solo album and its singles ‘Please Don’t Pretend’, ‘Walking Downtown (Again)’ and ‘Gave You Flowers’ showed an artist with an innate ability to channel the classic tropes of country music throughout the 20th century, and combine them with contemporary metropolitan alt-country. After a decade developing and honing his songwriting, he’s dialled into the heart of country music with an authentic and finely-tuned ear for the song-craft of the genre, in all its forms.

In recent years, Harvey’s music has received attention both in Australia and overseas. He has achieved international recognition with performances at Canadian Music Week (2016) and touring throughout the US in 2017. Peasant Moon’s debut EP was a finalist in the Australian Roots Music Awards (EP of the Year, 2016) and the song ‘Over Again’ was a finalist at the 2018 Tamworth Country Music Festival’s Songwriters Awards.

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Lyn Bowtell Unveils New Single “Paper Cut” as a Tribute to Women Supporting Women

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Acclaimed Australian singer-songwriter Lyn Bowtell has once again captured the hearts of listeners with her latest single, Paper Cut. The emotionally charged track, released on January 17, is a poignant exploration of resilience and the enduring impact of emotional wounds.

At its core, Paper Cut is more than just a song; it serves as a cornerstone for Bowtell’s forthcoming album, which celebrates the strength of women supporting women. The single’s origin story is as personal as it is relatable. Inspired by the sharp yet fleeting pain of an actual paper cut, Bowtell connected the experience to the lingering ache of relationship breakdowns. She describes the song as one of those rare creations that “arrive swiftly, almost fully formed.”

The track features the distinctive backing vocals of Kasey Chambers, a long-time admirer of Bowtell’s work. Chambers first heard Paper Cut during one of Bowtell’s transformative SHE Songwriting Retreats and was moved to collaborate. The retreats, founded by Bowtell, provide a haven for female songwriters to come together, share stories, and foster creativity in safe and supportive environments. With mentors like Chambers, Ashleigh Dallas, and Felicity Urquhart, the retreats have become a beacon of empowerment and healing for women in the music industry.

Produced by Bowtell and her partner Damon Morton, Paper Cut is a masterful blend of heartfelt lyrics and classic country instrumentation, with Bill Chambers lending his signature slide guitar. Bowtell’s roots in country music shine through, drawing inspiration from legends like Emmylou Harris and Patsy Cline while offering a modern perspective on heartbreak and healing.

Bowtell’s passion for advocating for women extends beyond her music. Through her SHE retreats, she continues to inspire women to care for themselves and each other, creating a ripple effect of empowerment in the industry and beyond.

With Paper Cut, Lyn Bowtell not only delivers a powerful anthem of resilience but also reaffirms her commitment to uplifting women through art and community. This release promises to resonate deeply with listeners and set the stage for an album that celebrates connection, healing, and solidarity.

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Queensland Songstress Katelann Maree Celebrates Australia with New Single

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Katelann Maree, a singer-songwriter hailing from the rural town of Miles in Queensland’s Western Downs, is set to captivate audiences with her heartfelt new single, Australia My Home. Set for release on 24th January, this vibrant track is a love letter to the essence of Australian life, blending nostalgia with pride for our unique culture, landscapes, and traditions.


“With backyard BBQs, singing along to old Slim’s tunes
It’s barefoot footy and cricket on Australia Day
Where the beer tastes different in the land down under
The Milky Way… This is Australia, my home,”

Katelann beautifully captures the soul of the Australian way of life, from iconic backyard barbecues to the wonders of the Milky Way stretching across our skies.

The single marks the first of four original tracks to be released throughout 2025 under the Western Downs Regional Arts Development Fund grant, supported by the Queensland Government through Arts Queensland. This initiative showcases Katelann’s connection to her roots and her talent as a storyteller.

A lifelong Western Downs resident, Katelann’s musical journey is deeply personal. Her debut single, Grandad’s Guitar (2020), paid tribute to her grandfather, Jimmy Grealy, known as “Chinchilla Slim,” whose fingerpicking guitar style inspired her artistry. Her debut EP, A Different Kind of High, brought her songwriting to life under the mentorship of country music icons Catherine Britt and Melody Moko at the CMAA Academy.

In addition to her flourishing music career, Katelann is a dedicated music teacher, fitness trainer, and mother of three, with her youngest born on New Year’s Day 2025. Despite her busy life, her passion for storytelling through song remains her guiding force.

Australia My Home is not just a song; it’s a celebration of identity, history, and belonging. Katelann Maree invites listeners to join her on a journey through the heart of Australia, where every melody and lyric serves as a reminder of the beauty and resilience of our homeland.

Stay tuned for more releases in 2025 as this talented artist continues to share her story and celebrate the country she calls home.

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REVIEW: Healing Descent – Van Walker

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Van Walker’s latest album, Healing Descent, is a testament to his lyrical brilliance and emotional depth. Recorded in just four days during a break in his Canadian tour, the album reunites Van with long-time collaborator Chris Altmann and introduces Carl Jennings as part of the creative force behind its production. Together, they’ve crafted a collection of ten tracks that are as musically diverse as they are thematically profound.

Drawing inspiration from the first spring of lockdown in 2020, Van captures a delicate balance between optimism and reflection. Tracks like “Persephone’s Return” and “Her Gentleness” sparkle with hope, celebrating renewal and the unstoppable resilience of nature. Yet, the album doesn’t shy away from darker undertones, with songs like “Certainty of Sand” exploring themes of loss and uncertainty.

Healing Descent also showcases a subtle yet powerful interplay of seasons, with tracks such as “Summer Thunder” and “Winter’s Last Words” adding a cyclical, almost poetic, narrative. This undercurrent of “Ruin & Refuge” and “Death & Reanimation” ties the album together, making it more than just a collection of songs—it’s a cohesive journey through life’s tumultuous moments and the promise of renewal.

Van’s vocal and lyrical artistry are perfectly complemented by Altmann’s production expertise and Jennings’ studio mastery, breathing life into the album’s earthy yet intricate soundscapes. With Healing Descent, Van Walker proves once again why his music resonates deeply, offering listeners an album that is both profoundly personal and universally relatable. This is an artist at the peak of his craft, reminding us of the beauty and resilience found in both music and life itself.

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